The Alexander family announces Goldie’s passing, who died peacefully on August 3, 2020.

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My two romances: Penelope’s Ghost and the sequel: Emily’s Ghost

I have now written 2 adult romances. However, for one reason or another, it has taken two years between them appearing. So I thought I might put up a first  chapter of Penelope’s Ghost as a foretaste  of what Emily’s Ghost might be about. Both books are set on the Mornington  Peninsula in Australia and overseas readers might be interested in what they also say about this environment. Both are published by Boroughs Publishing Group as eBooksPenelope's Ghost and can be found on Amazon and every ebook reader,

Here is part of the opening  of Penelope’s Ghost:

As I looked up at the house, a shiver ran down my spine. The tremor was small, but it was definitely there—much like a malicious waft of air or a jarring note in a piece of music.

I took a deep breath and dismissed it as nerves. It had been too long since I last applied for a job.

Across the courtyard, stairs led to a carved door surrounded by stained glass. On one side was an electronic buzzer. I pressed it. When no one answered, I pushed it again.

This time the door flew open so quickly I took a step back.

The guy on the other side was in his mid or late forties. Maybe because of his colouring, I had the impression of an older Jude Law, only not nearly as handsome, not quite as picture-perfect.

He stared at me for a good half minute as if equally startled at finding a stranger on his doorstep. “Lisa Harbinger?”

Looking at him, I felt a tingle of awareness and I had a sudden hunch that this man would be important to me. The knowledge was certain and frightening. I swallowed hard before saying uncertainly, “Mr. Prescott?”

“Yes.” His tone was abrupt. “I’m Richard Prescott. Please come inside. Hope you don’t mind being interviewed in the kitchen.”

“Course not.” I stumbled over the step. Something about his intense gaze turned me into an awkward teenager.

He led me into a huge entrance hall, the walls lined with wooden wainscoting and grey and blue flock wallpaper. A flight of stairs curled to an upper floor and a magnificent chandelier glittered like a frozen fountain. Every surface shone as if recently polished and the air smelt of lemon and lavender. It all reminded me of an old-fashioned hotel; everything seemed too large, too grandiose for ordinary people.

I followed Richard past the stairs down a narrow passage into the kitchen. Part of this room was taken up by a long table scored by decades of use and flanked with bentwood chairs, the seats covered in colourful cushions. Everything here also seemed oversized—from the double bank stove to the industrial refrigerator, long marble counters and sinks. I later was to learn of a walk-in pantry, shelves stacked with preserved fruit and vegetables, and a cellar filled with expensive and often irreplaceable wine.

It all spelt money, lots of money.

Richard gestured at a chair and waited for me to settle. “Tea or coffee?”

My throat felt as parched as after a heatwave. “Ahh… Just water, thanks.”

He filled a glass from a ceramic vat and placed it in front of me. I swallowed the contents in almost one gulp. It tasted cold and sweet.

He sat opposite me. “I’ve read your references.” His tone was abrupt. “One refers refer to you as Lisa Wall. Are you married?”

Though half expecting this, I paused before saying, “I was. I’ve now gone back to my single name.”

“Hmm.” He frowned as he thumbed the pages. I wondered if he was prejudiced against divorcées.

“I note you have no formal experience with kids.” His voice was dry. “But you have two years college, and you worked seven years in real estate.” For a second he looked puzzled. “What led you to that?”

If only I had a dollar for how often I’ve been asked that same question. I said, “During a uni vac, I took a job organising rental properties and found I was good at it.”

His eyes narrowed. “So why throw it in?”

His tone was so patronising, I was half ready to walk out. Only needing this job kept me seated. Anyway, this wasn’t the time to explain that I was sick of mean landlords and rude whiny clients, tired of prattle about an erratic real estate market—and fearful of meeting more ghosts.

I cleared my throat before saying. “I needed a fresh challenge and, anyway, I wanted to get out of the city.”

He sat back and stared at me quite openly. “So what’s your experience with kids?”

“Nothing formal,” I was forced to admit. “I used to babysit for the neighbours through high school and uni. We got on well. There was never any trouble—” My voice trailed away. But as this didn’t seem enough, I lamely added, “Kids and animals seem to like me.”

Convinced he was about to send me away, I was astonished this answer seemed to satisfy him. Possibly because it was honest. I had already concluded that he was a terrible snob—he had to be. But he could recognise truth from lie. That, at least, was in his favour.

The slight resemblance to the actor was emphasised by brown hair streaked with grey flopping over a high forehead, thick eyebrows, and the kind of dark blue eyes that catch people’s attention. Smudges under his eyes could be due to stress or maybe lack of sleep. Weathered skin told me he worked outdoors. Add to that paint-spattered jeans and a washed-out T-shirt. I glanced under the table. His boots were dusty. His nose had a slight kink as if it once was broken and that cleft chin hinted at a stubborn personality. The backs of his hands seemed strong though the fingers were long and slender, the nails slightly grimy, his right thumb covered in a bandaid. They were rough hands but sensitive. Those fingers looked as if he knew exactly where to touch—

“So”—I woke up to what he was saying—“you need to know what your duties will be.”

I almost blushed. What had I been thinking? Instead, I leaned forward to show he had my full attention.

“My brother, Thomas, and his family will be staying here over their summer vacation. The children are Mitchell and Willow, aged five and seven.”

No babies or toddlers. I hoped he doesn’t notice my shoulders subside.

“Their mother, Anna, insists on a break from childcare.” His mouth gave a slight twist as if he didn’t quite believe this. “It will be up to you to look after the children and keep them outdoors as much as possible. Think you’re up to it?”

I swallowed, still finding that piercing gaze disconcerting. “Yes.” I hoped my voice sounded firmer than I felt. “I’m sure I can. Kids like the sort of things they can do here in summer: surfing, swimming, exploring the beach. I noticed horses in your paddocks.”

His eyebrows lifted slightly as if implying, what would someone like me know about horses? “You ride?”

Hating his condescending tone, I said tersely, “I’m no expert. But yes, whenever I can find time.” I didn’t add that this was a hobby I could no longer afford.

He rubbed his chin as if remembering he’d forgotten to shave. Then he got up to refill my glass before returning to his chair. “I suppose we need to discuss wages and hours.” He cleared his throat. “As we’re offering room and food, how about—” He named a sum I considered generous. “We’re paying well as it’s a six day week. You can let us know when you want time off. That okay?”

“Sounds fine,” I assured him, though I had no idea of what conditions other nannies worked under.

He stood up. So did I. I was so close to him, I could feel the warmth of his breath. The top of my head barely reached his chin. I felt myself softening toward him, but he broke the spell, saying, “If you take this job, you need to see where you and the children will sleep.” And with that, he led me out the back door into the courtyard.

That Stranger Next Door: the opening

cover image for That Stranger Next Door

Perhaps it is time to introduce readers to some of my latest books. Others often ask me for tips about opening chapters that will  intrigue readers into reading more.  Here is the opening chapter of this novel.

This novel is available in hard copy and on all digital readers.

MELBOURNE.  APRIL, 1954.

1. Ruth.

Just after midnight, I was woken by feet clambering up the rear staircase. Curious, I[ crept down the passage through the kitchen onto the wooden landing.  From here I could look into next door’s windows.

A light went on and a blind shot up.

I saw two women and two men, their faces half hidden by hats, their heads together as if deep in conversation.

They must have felt someone eyeing them, because the blind came back down.

Half frozen and shivering, I dashed back down the passage, jumped into bed, and burrowed under the blankets. Ten minutes later, I heard feet clatter downstairs. My room, an enclosed balcony overlooking Brighton Road, has louvered windows. I sat up to peer between slits, and watched two men, but only one woman, climb into a car with darkened windows.

The car took off down the street.

This late, there was hardly any traffic. Above the outline of distant buildings, a quarter-moon slid behind a cloud. A cat skulking along the pavement receded into the shadows.

I slid back under the blankets and snuggled into my pillow. Next time my eyes opened, it was time to get up and dressed for school.

****

Written  in 2 voices: fifteen year old Ruth and the mysterious older  Eva, this novel is set against the Cold War of the 195o’s.

 

 

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‘Penelope’s Ghost’, and entering the world of romance writers.

I have very recently completed my first ‘go’ at writing adult romance. To my delight ‘Penlope’s Ghost’ was picked up almost immediately by the American based “Boroughs Publishing Group”.
Consequently I have discovered a whole network of other romance writers who regularly ‘talk’ to each other.
Emily Mims (www.emilymims.com) emailed me with the followiing questions which other authors might also like to tackle and send to both Emily and myself.
Here they are:
1. What am I working on?Presently ‘playing’ with a YA version of Shakespeare’s Tempest. Cheeky, I know.
2. How does my romance differ from others of its genre?I’m not at all that sure that it does apart from the setting which is on the Mornington Peninsula, an area I know very well and often use in my novels. Perhaps combining history, ghosts and romance is a bit different. But is it?
3. Why do I write what I do?I am a ‘jack of all trades’ in that I write in almost every genre apart from adult scripts and graphic novels. This is the first time I have tackled an adult romance though I began my writing career many years ago writing YA romance under a psuedonym.
4. How does my writing process work?I devote several hours every day to my writing. Having come from a teaching background I am very self disciplined. Even when confronted with ‘writer’s block’ I just plug away.
So thank you Emily for starting things off.

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